- Sampletekk WG2 MkII Studio Grand Piano
- Sampletekk WG2 MkII Studio Grand Piano
When we recorded the White Grand and the White Sister our goal was not to create the ultimate Grand Piano. Since a Grand Piano can be used in so many ways, from playing Mozart to hammer out Jerry Lee or Little Richard stuff and everything in between, we realized that there isnt anything that could be considered The ultimate Grand Piano in the world of multisampled instruments
We wanted to make the Ultimate Studio Grand Piano that would work in a recording session for more contemporary styles of music. It would simply sit well in a mix!
We very lucky enough to find this fantastic instrument, an old, LARGE, Malmsjö Grand piano from around 1910, that had the clarity needed to work in a modern production, but also, at the same time, had the richness at well contoured bass side that would provide the power needed on the lower part of the keyboard without getting muddy.
We recorded two versions using different microphone combinations. One close and one a bit more ambient. The first resulted in the White Grand, and the second in the White Sister.
16 velocity levels
More than 2900 samples
TimeVel Release Technology
Sympathetic Resonance
Real Pedaling
Controllable volume for key/pedal noise
Two different mixable microphone perspectives
Controllable volume for Sympathetic Resonance and Resonance
24 bit 44.1 stereo samples
les caractristiques du programme en franais
Essayez avec cette orthographe : When we recorded the White Grand and the White Sister our goal was not to create the ultimate Grand Piano. Since a Grand Piano can be used in so many ways, from playing Mozart to hammer out Jerry Lee or Little Richard stuff and everything in between, we realized that there isnt anything that could be considered The ultimate Grand Piano in the world of multi sampled instruments We wanted to make the Ultimate Studio Grand Piano that would work in a recording session for more contemporary styles of music. It would simply sit well in a mix! We very lucky enough to find this fantastic instrument, an old, LARGE, Malmsjö Grand piano from around 1910, that had the clarity needed to work in a modern production, but also, at the same time, had the richness at well contoured bass side that would provide the power needed on the lower part of the keyboard without getting muddy. We recorded two versions using different microphone combinations. One close and one a bit more ambient. The first resulted in the White Grand, and the second in the White Sister. 16 velocity levels More than 2900 samples TimeVel Release Technology Sympathetic Resonance Real Pedaling Controllable volume for key/pedal noise Two different mixable microphone perspectives Controllable volume for Sympathetic Resonance and Resonance 24 bit 44.1 stereo samples
Quand on a enregistr le Grand Blanc et Sur White notre objectif ne tait pas de crer "le Grand Piano ultime". Depuis un Grand Piano peut tre utilis bien des gards, de jouer Mozart forger Jerry Lee ou Little Richard choses et tout le reste, nous avons ralis qu'il n'y a rien qui puisse tre considr comme Le Grand Piano ultime" dans le monde instruments de multisamples
Nous voulions faire le "Ultimate Studio Grand Piano, qui travaillerait en une session d'enregistrement pour des styles plus contemporains de la musique. Il serait tout simplement se asseoir bien dans un mix!
Nous trs assez chanceux pour trouver cet instrument fantastique, un vieux, LARGE, Malmsjö piano queue du monde 1910, qui avait la clart ncessaire pour travailler dans une production moderne, mais aussi, en mme temps, a eu la richesse au ct puits de basse profile qui fournirait la puissance ncessaire sur la partie infrieure du clavier sans devenir boueux.
Nous avons enregistr deux versions utilisant diffrentes combinaisons de microphones. Une troite et une un peu plus ambiant. La premire a abouti Grand Blanc, et le second dans la Sur White.
16 niveaux de vlocit
Plus de 2900 chantillons
TimeVel sortie Technology
rsonance sympathique
Pdaler rel
Le volume rglable pour clavier / bruit de pdale
Deux perspectives de microphones diffrents miscibles
Le volume contrlable pour sympathique et Resonance Resonance
24 bits 44,1 chantillons stro
Essayez avec cette orthographe : When we recorded the White Grand and the White Sister our goal was not to create the ultimate Grand Piano. Since a Grand Piano can be used in so many ways, from playing Mozart to hammer out Jerry Lee or Little Richard stuff and everything in between, we realized that there isnt anything that could be considered The ultimate Grand Piano in the world of multi sampled instruments We wanted to make the Ultimate Studio Grand Piano that would work in a recording session for more contemporary styles of music. It would simply sit well in a mix! We very lucky enough to find this fantastic instrument, an old, LARGE, Malmsjö Grand piano from around 1910, that had the clarity needed to work in a modern production, but also, at the same time, had the richness at well contoured bass side that would provide the power needed on the lower part of the keyboard without getting muddy. We recorded two versions using different microphone combinations. One close and one a bit more ambient. The first resulted in the White Grand, and the second in the White Sister. 16 velocity levels More than 2900 samples TimeVel Release Technology Sympathetic Resonance Real Pedaling Controllable volume for key/pedal noise Two different mixable microphone perspectives Controllable volume for Sympathetic Resonance and Resonance 24 bit 44.1 stereo samples
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16
2900
TimeVel
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44.1 24
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- Sampletekk WG2 MkII Studio Grand Piano
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- Sampletekk WG2 MkII Studio Grand Piano
- Sampletekk WG2 MkII Studio Grand Piano
- Sampletekk WG2 MkII Studio Grand Piano
- Sampletekk WG2 MkII Studio Grand Piano
- Sampletekk WG2 MkII Studio Grand Piano
- Sampletekk WG2 MkII Studio Grand Piano
Mosaique FM SEYES KHOUK YouTube
- Sampletekk WG2 MkII Studio Grand Piano
Mosaique FM SEYES KHOUK YouTube
- Sampletekk WG2 MkII Studio Grand Piano
Mosaique FM SEYES KHOUK YouTube
